Immigration is the movement of people into a destination country to which they are not native or do not possess its citizenship in order to settle or reside there, especially as permanent residents or naturalized citizens, or to take-up employment as a migrant worker or temporarily as a foreign worker.
When people cross national borders during their migration, they are called migrants or immigrants (from Latin: migrare, wanderer) from the perspective of the country which they enter. From the perspective of the country which they leave, they are called emigrant or outmigrant.Sociology designates immigration usually as migration (as well as emigration accordingly outward migration).
Immigrants are motivated to leave their former countries of citizenship, or habitual residence, for a variety of reasons, including a lack of local access to resources, a desire for economic prosperity, to find or engage in paid work, to better their standard of living, family reunification, retirement, climate or environmentally induced migration, exile, escape from prejudice, conflict or natural disaster, or simply the wish to change one's quality of life. Commuters, tourists and other short-term stays in a destination country do not fall under the definition of immigration or migration, seasonal labour immigration is sometimes included.
Immigration is the fifth album of the Japanese rock group Show-Ya. The album was released on 5 November 1987 in Japan. Yasushi Akimoto and Kyōhei Tsutsumi worked together again in song composition. Makoto Matsushita arranged all the music, this time collaborating with the band. This album was mixed by Andy Johns in Los Angeles.Immigration peaked at position No. 12 in the Japanese Oricon chart.
The Game of Life, also known simply as Life, is a cellular automaton devised by the British mathematician John Horton Conway in 1970.
The "game" is a zero-player game, meaning that its evolution is determined by its initial state, requiring no further input. One interacts with the Game of Life by creating an initial configuration and observing how it evolves or, for advanced players, by creating patterns with particular properties.
The universe of the Game of Life is an infinite two-dimensional orthogonal grid of square cells, each of which is in one of two possible states, alive or dead. Every cell interacts with its eight neighbours, which are the cells that are horizontally, vertically, or diagonally adjacent. At each step in time, the following transitions occur: